Character

ACANE (ZUTOMAYO)

превод на енглески

2 превода

Потребна провера info

Оригинални текстови

јапански

Превод

енглески

Character

ジキルがハイド俺がお前を Trace

飲み込まれないようにレース制すべく制す

アイデンティティが唯一我を保つプロセス

なら記憶の奥の方までたどるメス

Who am I? 統制されるナンバーと脳

この日の国に太陽が沈む頃

少しずつ薄れていく影

内面の嘘に気づきかけてしまう

背後に隠れた魔　痛み隠して何を思うか

朱に交わらぬ主観

我がものにして上がる口元

いいぜ好きにやりな　ブレる価値観

優しさと狂気の狭間にある

底の見えぬ闇の中に埋もれてく

キスに逃げて　温い永遠は怖い

母はきっと喜ぶし　暖かい構造　総Hi中止

このギリな人情　生きてる君の

正直なくらい危ない　真面目がほしい

隠した上等　血走った重い通りを

ぶつけられたとて　悪足掻きと合掌

さんざめく群れ東京の逃避行

失って消えるこれからも

灰に変わる君という君を

明日に残すこのポートフォリオ

どうぞよろしくと神は脱帽

2つ名を飛び回るパスポート

大当たり Feel like a jackpot

運命が交差するジャンクション

1894　死神と世に隠れワルツ踊るモルモット手には塩

見えない Ghost　己を失した代償

今は触れる揺れるができないでいる

常に今日に情を持って生きている

キスで止めて　温い永遠は怖い

母はきっと喜ぶし　月日は同情　総円満に

このギリな人情　生きてる君の

正直なくらい危ない　真面目がほしい

隠した上等　血走った重い通りを

ぶつけられたとて　悪足掻きと合掌

手におえぬ痛みの中で　自我を保ってる

生々しい僕がほしい

誰だってゼロからの成長業務

変わったんじゃない隠してた

内心は分かってるくせして

まだ手は震えるいつかの行方

後ろ回す前に態度をコピって前に倣え

右も左も分からないまま愛を探した

親も子も二人も　何にも嘘はないけれど

誰にも引き出せない　僕を通わせてく

沿う　汗ばんだ夏が僕へと再生する

ただいま

この義理な心情　生きてる君の

正直なくらい危ない　真面目がほしい

格下上等　血走った思い通りを

ぶつけられたとて　悪足掻きと合掌

Character

Jekyll and Hyde trace you and me

They control the race so that you don't see

Your controlled identity leaves only me

As the scalpel processes through your memory

Who am I? A control number in your mind

The home of the day is the sun sinking behind

Little by little it fades into a shadow

The inside of the lie has become known

In the back, a demon is hiding. I wonder what pain its concealing1

This scarlet doesn't connect for me2

I'll make these lips my own

Good, it's telling that I like this, my values are blurred

Within the space between kindness and madness

I can't see the bottom, it's buried in darkness3

I escape your kiss, this lukewarm eternity is frightening4

Mother would surely delight, this warm space has no "Hi" in sight5

This duty to kindness, inside you exists6

Around it's dangerous if I'm honest, I want to be serious

Excellently hiding, through the bloody gloom I'm traveling

Even if I crash and burn, I pray and vainly struggle on

The noisy crowds from Tokyo take flight7

From here, the lost vanish from sight

The ashes change and become you

Tomorrow a profile is left here anew

Tip my hat to God "nice to meet you" I shout

Two names on a passport fly about

Right on the mark, feel like a jackpot

A junction marks the crossing of our fates

1894, the god of death dances a hidden waltz with the world as a guinea pig, salt in its hands8

An unseen ghost, its repentance lost9

Now, no touch or waver can it give

Today's feelings always within it live

I end your kiss, this lukewarm eternity is frightening10

Mother would surely delight, the compassion of time has all calmly taken flight11

This duty to kindness, inside you exists6

Around it's dangerous if I'm honest, I want to be serious

Excellently hiding, through the bloody gloom I'm traveling

Even if I crash and burn, I pray and vainly struggle on

Unable to stand the pain, my ego12 perseveres13 14

I want to feel something raw

Everyone grows up from nothing

Nothing strange is hidden inside

I know my innermost thoughts and yet

Still my hand quakes at where I'm going

I turn around, its copying my actions, its imitating15

Not knowing where I am, I search for love.

Parent and child and couple tell no lies but16

I run between them and they let out nothing

The sweaty summer, my life restoring

I'm home

This duty to kindness, inside you exists6

Around it's dangerous if I'm honest, I want to be serious

Excellently hiding, through the bloody gloom I'm traveling

Even if I crash and burn, I pray and vainly struggle on

1. The original Japanese partially rhymes the two phrases in this line (the "ma" and "ka" sounds). I tried to replicate this by ending the translated phrases with the "ing" sound. I'm not totally satisfied with this and might edit it later.
2. The word 朱 (scarlet) either refers to the lips in the following line or is a metaphor for the pain mentioned in the line above. IMO the original Japanese is ambiguous.
3. This line and the one above partially rhyme the "ru" and "ku" sound in the original Japanese. I partially rhymed the "ness" sound to approximate.
4. The singer changes to Acane here and accordingly, the "you" and "I" being sung about also switch.
5. The original Japanese rhymes the two phrases in this line which I preserved.
6. a. b. c. This stanza has partial rhyming inside each line which I preserved.
7. The first singer takes over again here and "you" and "I" swap back.
8. I'm not completely sure that I translated this line correctly.
9. That is, the thing it must do in order to leave this world.
10. Acane starts singing again here.
11. I took some liberties in translating this line to preserve rhyming.
12. The use of "ego" here is a pretty literal translation and refers to ego in the psychological sense of one's conscious self, not ego in the colloquial sense of inflated self-worth.
13. The singers swap multiple times during this stanza.
14. This stanza mostly doesn't rhyme in the original Japanese.
15. The subject is ambiguous here, but IMO it's the singer's shadow.
16. Acane sings alone here for the rest of the song.

Song details

Translation details

This translation is my own, although Katsuro helps a lot with editing and improving my translations. I'm OK with reposting, but please attribute the translation to Subeki Subtitles and link to my original translation here.

I feel that my Japanese is good enough that my translations are good reproductions of the original, but they may not be perfect. I'm always learning and improving so at some point, I may go back to this translation to make it better. If you see anything that should be fixed, please let me know! 頑張ります！

Ово је поетски превод - постоји значењско одударање од оригинала (додатне речи, додатне или избегнуте информације, замењени концепти)

Subeki Subtitles

submitted on 4 Aug 2021 - 20:35

Додато због захтева

Road

Give a shoutout to Subeki Subtitles

Коментари аутора:

Some of the original Japanese lines rhyme which I have preserved in my translation. I didn't always rhyme the same syllables, however. Any non-rhyming couplets did not rhyme in the original text.

Character's meter can be pretty complex. I tried to make my translation's meter stand out in places where the original Japanese does, but I'm still a pretty new translator so it's far from perfect. I hope to edit and clean this up later once I've gained more experience. Much of the song consists of what's basically blank verse which I did not change in translation.